Kaffe Fassett: A Life in Colour

Natasja of crochetime and I met yesterday at The Fashion and Textile Museum in South London to ogle Kaffe’s designs and use of colour. I used to be a huge fan of his tapestry (aka needlepoint) and have owned a copy of Glorious Needlepoint for a long time. Mum reminded me, over Sunday lunch, that she has several of Kaffe’s knitting books and heard him talk in the early 1990s.

It was great to see my favourite tapestry designs in 3D, especially the vegetable cushions. Radish anyone? Or perhaps you’d prefer a beetroot?

I know that many of you are not near London, or even in the UK (if you are then the exhibition is on till 29th June) and so here is a good selection of what I loved. If you like tapestry you’ll probably be swooning along with me.

Click on any image to view a larger version.

“Colour themes that run throughout his textile work include the historical hues from early-medieval and Renaissance decorative arts, traditional pairings of blue and white, and the rich inspiration of China, India and international travel. In 1992 Fassett visited India as part of a charity delegation to explore what handicraft might be produced there to sell in Britain to raise money. The experience was profound and sparked a shift in his use of colour.

‘India proved to me that colour is a vital ingredient in life.'”

Inspirational

On bank holiday Monday, last week, we visited Winchester. “You mustn’t visit Winchester without going to the cathedral” we were told.

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It’s a truly magnificent building. I can’t even begin to describe its size and features, it’s immense. The Cathedral website is really informative if you want to take a look.

Many people will have visited the Cathedral simply to pay a visit to the last resting place of Jane Austin.

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Interestingly it wasn’t until many years after she was buried that the number of people visiting her grave were noted, as her work gained popularity.

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These lilies were heavenly scented, I love them.

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I really like the Antony Gormley sculpture ‘Sound II’ in the Cathedral crypt.

However it was the tapestry work that really, really, caught my eye, as you shall see. I used to enjoy tapestry, but when my elbow was very painful I gave it up. Plus it was far from cool to be making tapestry cushions. Now I wish I had just taken extra painkillers, had a treble G&T and stuck my fingers up to cool. I bought most of my materials from Liberty of London, they used to have a wide selection of wool, canvas, kits and materials. They really have scaled back the selection but you can still find some nice choices. There was a postal ordering service I used to buy from also, which will now have a website but I just need to remember the company’s name…

What follows are many, many (I seem to be in a repeating the-same-word-twice-mode today, sorry. I can control this mode and hit the delete button, but choose not to, just in case you’re wondering if there’s a compulsive issue going on here) photos of tapestry work. Some are faded from use, sunlight and age, others are newer. I find all beautiful and inspirational.

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Inspirational colours, designs and because of the amount of hours that they took to create.

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Fuzzy, but I don’t want to delete the above. Partly close your eyes and squint to focus?

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A windmill and what I think is a plough, surrounded by the fruit of the land?

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I would also have stitched my initials & the year on the back too!

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When we bought our entry tickets we were told they are also season tickets, so we’re planning to go back to take a tour and find out more about the history, carvings, art, sculpture etc etc of this incredible building. I have a feeling that all photographing devices will be taken from me prior to the tour; I was a long time sighing over and photographing these beauties!

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I’ve always been a huge fan of Kaffe Fassett, particularly when I was first interested in tapestry. I’m going to A Life in Colour, an exhibition celebrating Kaffe’s work, with Natasja of the CrocheTime blog. I can’t wait!