Ana Lucia shawl finished. Still circling

I left my Ana Lucia Shaw on the blocking mats when we went on holiday and actually have only just got round to unpinning it today!

The lengthy pinning hasn’t done it any harm luckily, and I’m really pleased with it. To be absolutely honest I started crocheting the shawl simply because I liked the pattern. I don’t wear triangular shawls, preferring cowls or scarves, and didn’t think that I would ever actually wear it. But it didn’t matter, it’s all about the crochet sometimes, isn’t it? You can easily gift or donate a make after all. To my surprise I can imagine it keeping me really warm and snuggly on a cold day. With a winter coat I think would look really nice.

It’s a keeper!

Started in 2019 I think it’s my longest ever project to complete (not counting the knitted stripy blanket which will probably take years to finish because it’s not interesting enough to pick up too often.) In the meantime the Katia silver paint yarn was discontinued, I think probably due to the sparkly plastic content. Whoops. I just had enough to crochet the pattern, although I probably would have repeated some rows if I had the yarn. Luckily it’s just right to wear.

If you fancy making one you can pay for the pattern, or access the free pattern on a link here on Ravelry. It’s designed by Wilma Westenberg, who has heaps and heaps of shawl patterns available.

I don’t think this is going to be the last triangular shawl I’ll crochet as there has been something really satisfying about the triangular start and lengthening rows of interesting stitches.

I’ve had an unusually social week. It’s always all at once, isn’t it?

Monday I went out for lunch with family. Well, technically I just had dessert (Eton Mess. I couldn’t resist the fresh summer fruits, meringue and cream) then met up with three friends for a drink and pizza at a pub, then we went to the theatre to see Uncanny: I know What I Saw. Have you heard the podcast? Seen the TV episodes? Read the book? I really recommend all, but suggest starting with the podcast. It’s best to listen to it in order because Danny refers to previous episodes and gives updates.

Tuesday I went back to a yarn group which I haven’t been to for ages. It was good to catch up. It’s one of those easy-going weekly groups where people come and go. You can just drop in whenever you want. There were six crocheters, two knitters and one drawing on fabric to make bunting for her rustic farm style wedding in August. I thought you might like to know the stats, I would.

Last night, Wednesday, I went to bookclub where we discussed Rebecca. I didn’t actually reread it because I’ve read it a couple of times, seen the play by Kneehigh Theatre Company and the Netflix film adaptation. Actually I realised I probably should have done, because I had forgotten crucial little bits and pieces of the story. But there’s so many books to read and you don’t necessarily want to reread something for the third time. Maybe I will in the winter when I fancy a slightly dark and atmospheric tale?

Later there are plans for a 3 mile field path walk and a tuna, butterbean and artichoke salad for dinner. Then more chapters of Sally Page’s forthcoming novel: The Secrets of Flowers. Tomorrow night I’ll be snoring in front of the tv!

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What about you? Any finished makes, have you been out and about lately? And, what’s for dinner?!

All At Sea Shawl II: blocked, lacy & ready to wear

 For years I’ve read about people blocking their crochet and knitting. They rhapsodise about how lacy it becomes, because it really opens up the stitches. From the way people write you would think blocking almost transforms things into mystical items.
I have never felt the need to do anything, apart from perhaps a quick steam block.  Recently I felt quite adventurous leaving the Catherine Stitch Dolls’ blanket pinned out on the ironing board to thoroughly dry! But I could see that the thin mystery yarn of the All at Sea Shawl was going to need something a bit more professional to unscunch it into maybe a thing of lacy beauty.

 Foam mats from The Early Learning Centre are, I was told by my crochet blocking guru, a good alternative to overpriced craft blocking boards. On reflection those purpose made with lines and measurements on them might be preferable, but my plain mats did the job well enough. It is actually quite enjoyable pinning and stretching the crochet, I was quite surprised how much I liked it. My knees weren’t so happy, but that’s too bad! Look how much it has opened out the stitches? I’m so pleased. Oops! A huge gust of wind carried it off sideways. I didn’t realise I’d captured the moment on my camera until later. It’s been so windy here that I had to close the bedroom window because of the noise last night. I heard things in the garden being blown over and got up to peer out the window a few times, then decided enough was enough. Time to sleep and I’d right it all in the morning. It is a triangular shawl but this was the only way I could get it to stay in one place, even then it flapped up into my face several times. The severely pruned buddleia looks bare and deadwood-like, but it will come back and the flowers will be covered in butterflies again in the summer.

In summary: proper grown-up professional type blocking really does work, although it gets boring to read posts like this (!) and I did enjoy it. Also, the mystery yarn is wool, or partly at least, because it definitely had that wet sheep smell.