All At Sea Shawl II: blocked, lacy & ready to wear

 For years I’ve read about people blocking their crochet and knitting. They rhapsodise about how lacy it becomes, because it really opens up the stitches. From the way people write you would think blocking almost transforms things into mystical items.
I have never felt the need to do anything, apart from perhaps a quick steam block.  Recently I felt quite adventurous leaving the Catherine Stitch Dolls’ blanket pinned out on the ironing board to thoroughly dry! But I could see that the thin mystery yarn of the All at Sea Shawl was going to need something a bit more professional to unscunch it into maybe a thing of lacy beauty.

 Foam mats from The Early Learning Centre are, I was told by my crochet blocking guru, a good alternative to overpriced craft blocking boards. On reflection those purpose made with lines and measurements on them might be preferable, but my plain mats did the job well enough. It is actually quite enjoyable pinning and stretching the crochet, I was quite surprised how much I liked it. My knees weren’t so happy, but that’s too bad! Look how much it has opened out the stitches? I’m so pleased. Oops! A huge gust of wind carried it off sideways. I didn’t realise I’d captured the moment on my camera until later. It’s been so windy here that I had to close the bedroom window because of the noise last night. I heard things in the garden being blown over and got up to peer out the window a few times, then decided enough was enough. Time to sleep and I’d right it all in the morning. It is a triangular shawl but this was the only way I could get it to stay in one place, even then it flapped up into my face several times. The severely pruned buddleia looks bare and deadwood-like, but it will come back and the flowers will be covered in butterflies again in the summer.

In summary: proper grown-up professional type blocking really does work, although it gets boring to read posts like this (!) and I did enjoy it. Also, the mystery yarn is wool, or partly at least, because it definitely had that wet sheep smell.

Make it, Wear it

See, no look of an egg cosy here, I thought it would look gorgeous on my friend. The slouchy beanie with pom pom is a success. It’s a Birthday present and definitely lives up to the book’s name: Hook, Stitch and Give. It’s all come out of the marvellous brain of Kat Goldin. No, I’m not being paid to promote. I’m simply a happy reader / maker.

We’ve just had a day out at Excel, London at the Stitching, Sewing & HobbyCraft show.

It was too hot during the morning, before the air con was turned on, crowded and overall we felt it was crammed into too small a space. I don’t think the Knitting & Stitch show at Olympia has any serious competition, but we had free tickets, so didn’t feel we lost anything. We probably won’t be going back though.

I took a few photos….

               Menai Bridge by Liesbeth Williams 

Horizons

Layers of the Anglesey landscape, the colours, lines, details and the ever present skyline inspired this quilt. Liesbeth overlaid sections of strips, highlighted by deliberately messy black stitching. The fabrics were hand-dyed, mono and screen printed, then painted. 

I love the colours of this quilt – as you can imagine, they look even better with the naked eye than in these photos. It’s also given me hope. Perhaps I could also overlay sections of strips and do ‘deliberately messy stitching’ with my sewing skills, that definitely seems doable!